Biography
1896 - 1977
“We are all gifted. That is our inheritance.”
– Ethel Waters
Ethel Waters, born in crushing poverty, escaped to Baltimore and began a new life as “Sweet Mama Stringbean,” a slender and glamorous blues singer on the southern vaudeville circuit. Her technical and emotional agility quickly made her one of the major stars of the Harlem Renaissance era, where she was also well-known for being “in the life” with dancer Ethel Williams. She was the first singer to confront racism in a popular song (“Suppertime”) in 1933, the same year she introduced “Stormy Weather” at the Cotton Club. Waters was the first black woman to receive equal billing with white stars on Broadway. In Hollywood she would also become the first black woman to establish herself as a major American dramatic actress and only the second African-American to be nominated for an Academy Award – for her supporting role in the film “Pinky” (1949). In 1950 she won the New York Drama Critics’ Circle Award as Best Actress for her luminous performance on Broadway as the maid Berenice in Carson McCullers’s “Member of the Wedding,” a role she reprised on film to further acclaim two years later. In her later years Waters redefined herself as an evangelical Christian. She gave her last performances as a member of Billy Graham’s crusade. She died on September 1, 1977.
1896 - 1977
“We are all gifted. That is our inheritance.”
– Ethel Waters
Ethel Waters, born in crushing poverty, escaped to Baltimore and began a new life as “Sweet Mama Stringbean,” a slender and glamorous blues singer on the southern vaudeville circuit. Her technical and emotional agility quickly made her one of the major stars of the Harlem Renaissance era, where she was also well-known for being “in the life” with dancer Ethel Williams. She was the first singer to confront racism in a popular song (“Suppertime”) in 1933, the same year she introduced “Stormy Weather” at the Cotton Club. Waters was the first black woman to receive equal billing with white stars on Broadway. In Hollywood she would also become the first black woman to establish herself as a major American dramatic actress and only the second African-American to be nominated for an Academy Award – for her supporting role in the film “Pinky” (1949). In 1950 she won the New York Drama Critics’ Circle Award as Best Actress for her luminous performance on Broadway as the maid Berenice in Carson McCullers’s “Member of the Wedding,” a role she reprised on film to further acclaim two years later. In her later years Waters redefined herself as an evangelical Christian. She gave her last performances as a member of Billy Graham’s crusade. She died on September 1, 1977.
Demography
Demography
Gender Female
Sexual Orientation Lesbian
Gender Identity Cisgender
Ethnicity African American Black
Faith Construct Protestant
Nations Affiliated United States
Era/Epoch Harlem Renaissance (1919-1929) Jazz Age (1910-1940) Roaring Twenties (1920-1929)
Field(s) of Contribution
Author
Film
Music
Television
Theater
Commemorations & Honors
Portrait of Ethel Waters by Luigi Lucioni Displayed at the Huntsville Museum of Art in Huntsville Alabama
First African American to Star in Her Own Television Show The Ethel Waters Show (1939)
Second African American to Receive an Academy Award Nomination for Pinky (1949)
Best Actress New York Drama Critics’ Circle Award for The Member of the Wedding (1950)
First African American Actress to Star in Her Own Television Show Beulah (1950-1953)
First African American Actor to be Nominated for a Primetime Emmy Award for an Episode of Route 66 (1962)
Commemorative U.S. Postage Stamp Issued (1994)
Demography
Gender Female
Sexual Orientation Lesbian
Gender Identity Cisgender
Ethnicity African American Black
Faith Construct Protestant
Nations Affiliated United States
Era/Epoch Harlem Renaissance (1919-1929) Jazz Age (1910-1940) Roaring Twenties (1920-1929)
Field(s) of Contribution
Author
Film
Music
Television
Theater
Commemorations & Honors
Portrait of Ethel Waters by Luigi Lucioni Displayed at the Huntsville Museum of Art in Huntsville Alabama
First African American to Star in Her Own Television Show The Ethel Waters Show (1939)
Second African American to Receive an Academy Award Nomination for Pinky (1949)
Best Actress New York Drama Critics’ Circle Award for The Member of the Wedding (1950)
First African American Actress to Star in Her Own Television Show Beulah (1950-1953)
First African American Actor to be Nominated for a Primetime Emmy Award for an Episode of Route 66 (1962)
Commemorative U.S. Postage Stamp Issued (1994)
Resources
Resources
Leslie C. Dunn and Nancy A. Jones, eds. Cambridge: Cambridge University Press, 1994. 212-229.
Garber, Eric. "A Spectacle in Color: The Lesbian and Gay Subculture of Jazz Age Harlem." Hidden from History: Reclaiming the Gay and Lesbian Past. Martin Baum Duberman, Martha Vicinus, and George Chauncey, Jr., eds. New York: NAL Books, 1989. 318-331.
McCorkle, Susannah. "The Mother of us All." American Heritage 45.1 (1994): 60-72.
Waters, Ethel, with Charles Samuels. His Eye Is on the Sparrow. New York: Doubleday, 1950.
https://afropunk.com/2019/03/queer-black-blue-ethel-waters/
https://www.collectorsweekly.com/articles/singing-the-lesbian-blues-in-1920s-harlem/
Resources
Leslie C. Dunn and Nancy A. Jones, eds. Cambridge: Cambridge University Press, 1994. 212-229.
Garber, Eric. "A Spectacle in Color: The Lesbian and Gay Subculture of Jazz Age Harlem." Hidden from History: Reclaiming the Gay and Lesbian Past. Martin Baum Duberman, Martha Vicinus, and George Chauncey, Jr., eds. New York: NAL Books, 1989. 318-331.
McCorkle, Susannah. "The Mother of us All." American Heritage 45.1 (1994): 60-72.
Waters, Ethel, with Charles Samuels. His Eye Is on the Sparrow. New York: Doubleday, 1950.
https://afropunk.com/2019/03/queer-black-blue-ethel-waters/
https://www.collectorsweekly.com/articles/singing-the-lesbian-blues-in-1920s-harlem/